Description
The second movement from Bach’s Cantata No. 4, Christ Lag in Todesbanden, is a wonderful example of Baroque call-and-response and will provide both a learning experience and a musical highlight for treble singers of all ages.
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The second movement from Bach’s Cantata No. 4, Christ Lag in Todesbanden, is a wonderful example of Baroque call-and-response and will provide both a learning experience and a musical highlight for treble singers of all ages.
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